Montreal Cultural Calendar

Billets / tickets : bit.ly/4nC4bk7

Les soires vido-club sont prsentes par Vidographe, en collaboration avec le Cinma Moderne.


Le programme : rassemble de Shelly Silver et de Lysanne Thibodeau.


Dans cette histoire de mort, de meurtre, dtude de march, de vengeance et de surnaturel, deux amies s'unissent pour essayer de comprendre comment vivre tout en tant harceles par les messages malveillants des morts. En combinant l'utilisation du film noir et blanc, de la vido couleur et de mthodes de tournage empruntes au drame, la comdie et au documentaire, adopte une approche du rcit dans laquelle la tche de dpartager la vrit de la fiction, et la comdie du documentaire, mne une forme largie o les morts peuvent parler aux vivants et des gens dans la rue interagir avec des personnages fictifs.


Berlin-Mitte, annes 1980. Un vampire erre dans la ville, prisonnier dune existence dont il ne peut se dfaire. Insensible aux crucifix,indiffrent la lumire du jour, il est condamn non pas par sa nature, mais par son incapacit mourir. Pourtant, il nabandonne pas sa qute : trouver enfinun moyen dchapper lternit. Jusquau jour o lespoir prend une forme inattendue est un hommage aux films de Carl Dreyer, Russ Meyer, Andy Warhol et Ed Wood.


Le programme : a t assembl par lquipe de Vidographe.





The program : brings together Shelly Silver's and Lysanne Thibodeau's .


It is the story of mortality, murder, market research, revenge and the supernatural, as two friends come together to try to figure out how to live, while being besieged by malignant messages fromthe dead. Combining the use of black and white film, color video, and dramatic, comedic and documentary methods of shooting, takes an approach to narrative in which the task of sorting out truth from fiction, and documentary from situation comedy, leads to anexpanded form in which the dead can speak to the living and people on the street can talk to fictional characters.


Berlin-Mitte, 1980s. A vampire roams the city, trapped in an existence he cannot escape. Immune to crucifixes, unaffected by daylight, he is cursed not by his nature, but by his inability to die. Yet he refuses to giveup his search for an end to eternity. Until one day, hope takes an unexpected form is a tribute to the films of Carl Dreyer, Russ Meyer, Andy Warhol, and Ed Wood.


The program : was curated by Vidographes team.

https://www.facebook.com/events/1290873425673141/

[5 à 7] Milieux X <MTL> Connect
📅 October 29, 2025
⏱️ 5-7 PM
📍Milieux Institute, 11th floor

 After last year's success, we are partnering again with Printemps numérique to welcome a group of international curators for a tour of the institute and a 5 à 7/showcase in the atrium on the 11th floor.

This is a great opportunity to connect with members, learn more about their work and meet with professionals in a welcoming environment.

Spots are limited

AKOUSMA 21
Akousma est de retour pour une 21e dition qui vous en mettra plein les oreilles avec unequinzaine d'artistes d'ici et d'ailleurs qui sortent des sentiers battus et ouvrent la voie pour les musiques numriques du 21e sicle!
//
Akousma is back for a 21st edition that will delight your earswith fifteen artists from here and elsewhere who are thinking outside the box and paving the way for 21st century digital music!

Billets/tickets : https://www.zeffy.com/fr-CA/ticketing/akousma--21-2

LES ARTISTES
Pia Baltazar (ca), Natasha Barrett (no/gb), Bruno Belardi(it), Christian Bouchard (ca), Julia E. Dyck (ca), Amanda Harvey alias IRL (ca), Rehab Hazgui (tn/ca), Daniela Huerta (mx), Anne F. Jacques (ca), William Jourdain alias Automatisme (ca), Vivian Li (cn/ca), Philippe Mcnab Sguin (ca), James O'Callaghan (ca), Orchestroll (ca), Gadi Sassoon (it), Ana MariaRomano G. (co), Stphane Roy (ca), Joseph Sannicandro (us), RobertSchwarz (au)

Programme complet/complete program : https://akousma.ca/Programmation-Akousma-21

PROPOS DAKOUSMA
//ABOUT AKOUSMA
https://akousma.ca/

Akousma est undiffuseur de concerts dont le mandat est de prsenter des uvres ralises par des artistes en musiques numriques exprimentale.Leurs uvres sont prsentes sous plusieurs formes: acousmatique, mixte, en vidomusique ou intgres dautres formes dart. Afin de faire rayonner le travail des artistes dici, Akousma sefforce de prsenter des concerts la grandeur du Qubec, et au-del. La musique des artistes qubcoises est galement miseen perspective grce aux invitations lances des artistes de la scne internationale qui viennent participer notre festival international des musiques numriques immersives.
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Akousma (formally Rseaux des arts mdiatiques)is a concert production company that showcases works by electroacoustic artists and collectives in Montral. These works are presentedvia an immersive sound system, and they take several forms: acousmatic (tape music), mixed (tape and instruments), live (live electronics), video music, or music integrated into other art forms such as dance, performance, or installation.



https://www.facebook.com/events/1331109421697524/

Laura Taler | HEX: Begin Again | 31.10.-13.12.2025


À VENIR




@ Laura Taler
Du 31 octobre au 13 décembre 2025 | Vernissage: jeudi 30 octobre From October 31 to December 13 | Opening: Thursday, October 30





In HEX: Begin Again, Laura Taler combines a simple mirror trick with strategies of masquerade to create a world of ritual and séance. Reaching into the past, Taler recites a series of remarkably contemporary historical texts by Maya Deren, Claude Cahun, and Susan Coolidge. These women’s carefully crafted and yet disruptive works sought to create new realities through artistic and technological means—realities where a self-aware female body is simultaneously sexual, intellectual, spiritual, practical, and unbounded by social mores. Through repetition and fragmentation, HEX: Begin Again questions our relationships to past and present technologies, the relativity of absolute value, and long held prejudices about female power. Visual clues punctuate the monologue and point to transformation and new beginnings. By channeling these women, who self-identified as outsiders, Taler weaves movement, cinema, and text to form a complex and playful language of resistance. Romanian-born Canadian artist Laura Taler works across a range of media including performance, film, sound, sculpture, and installation. Her practice explores how memory and history are linked to movement and how the body is able to carry the past without being oppressed by it. Taler began her career as a contemporary dance choreographer before turning her attention to filmmaking and visual art. Her work has been praised for its unique combination of emotional resonance, wit, and striking visuals. She has been a resident at the Banff Centre for the Arts, Centro Cultural Recoleta (Buenos Aires), Carleton Immersive Media Studio (Ottawa), Ottawa Dance Directive, Unpack Studio (Havana) and a fellow at the Institute for Cultural Inquiry (Berlin). Awards include a Gold Hugo from the Chicago International Film Festival, the Best Experimental Documentary award from Hot Docs!, Best of the Festival from New York’s Dance on Camera Festival, and SAW Gallery’s Dennis Tourbin Prize for New Performance. Her public art audio work MONAHAN was awarded the 2024 Creative City Network of Canada’s Public Art Legacy Award. To mark the 30th anniversary of her first film, the village trilogy, screenings and master classes will take place in 2025-26 across Canada.Heures d’ouverture :







Mardi - samedi, 12 h - 17 h
5455 De Gaspé • espace 108
Montréal, Québec H2T 3B3



514.907.4535
info@occurrence.ca



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