Montreal Cultural Calendar

The third workshop of the 'Reimagining Research' Spring Workshop Series. This workshop will allow participants to re-imagine and transform photographs, digital images and other works through Polaroid emulsion lifts. Exploring the materiality of film and photographic practice, participants will work directly with the image of their choosing, lifting, folding, stretching and tearing it. The process of emulsion lifting briefly reduces the image to a ghostly film to then be bonded to another material such as paper, cardboard, or fabric. This physical manipulation of imagery provides a framework to discuss transparencies/opacities of identity and selfhood, thinking through ideas of disclosure and (mis)recognition. Participants are invited to bring pre-existing digital images that can be printed on Polaroid film, or to take photos on site to experiment with the process. Spaces are limited. Please RSVP to Marc Beaulieu marc.beaulieu@concordia.ca and include within the subject line 'Ghostly Image'.

Dissecting and reassembling the elements of photonovels, Gaudreau draws forth details that disrupt its usual narrative continuity. This pop literary genre is thus reconfigured into a choreographic space in which texts and images tumble out of sync.

By adopting strategies akin to visual ethnography, the trio, composed of Parastoo Anoushahpour, Faraz Anoushahpour, and Ryan Ferko, multiplies perspectives on the modernization of Iran, its rural regions, and the families witnessing their industrialization. Archives and image-making apparatuses become playgrounds and sites of subversion as much as catalysts for encounters, from which the artists conduct an autopsy of a territory.

Presented each spring at Galerie de l'UQAM, Passage à découvert showcases the work of UQAM's graduating students in the Bachelor of Visual and Media Arts program, highlighting their creative vitality, freedom, and curiosity. Thanks to the multidisciplinary approach favoured by UQAM's School of Visual and Media Arts, the student works on display address a wide variety of subjects, approaches, and techniques in dialogue with the contemporary world. This year, several projects reimagine the concept of materiality by examining its transformations and modes of perception. Others explore the relationship to the body, identities, and performativity, deploying playful displays that convey a sensitive relationship to reality.

Artists talk between artist Paola Pivi and Kanika Anand, Senior Curator at Contemporary Calgary