Montreal Cultural Calendar

CIBL 101.5 will broadcast a special cultural program live from Francos de Montréal to bring the excitement of the event to its listeners and to welcome the featured artists performing on the various stages. Interviews lasting 5 to 8 minutes will be conducted with them to discuss their show, their music, their artistic approach, and their creative universe.

Le MC Challenge End Of The Weak / La fin des faibles a été lancé en 2000 à New York. Il célèbre cette année ses 15 ans de présence au Québec. Présent dans plusieurs pays sur 5 continents, il s’impose comme une référence internationale.
À la différence des battles traditionnels, le MC Challenge se veut un anti-battle : ici, pas d’insultes ni d’attaques personnelles, mais une mise en valeur du talent, du respect et de la créativité des artistes.
Chaque année, une finale internationale couronne une championne ou un champion du monde. Le concept a également été adapté pour la télévision avec La fin des faibles, diffusée sur Télé-Québec.
La compétition se décline en 5 épreuves qui mettent en lumière toutes les facettes de l’art du rap :
• Le texte libre
• L’a cappella
• L’improvisation
• Le MC vs DJ
• Le cercle
Les performances sont évaluées selon 5 critères objectifs :
• Les paroles et la qualité du texte
• La créativité et l’originalité
• La présence scénique et le charisme
• Le flow et le débit
• L’interaction avec l’environnement
Qui saura se démarquer et décrocher sa place en finale nationale?

Présenté par






L’album « Le Dôme » de Jean Leloup a 30 ans cette année. Cette œuvre emblématique de la musique québécoise est truffée de classiques qui ont marqué toute une génération. Pour l'occasion, ICI Musique a réuni sur une même scène Lou-Adriane Cassidy, Les Louanges, Thierry Larose, Safia Nolin, Klô Pelgag, Rau_Ze, We Are Wolves et Zach Zoya pour revisiter ces titres.
En direct aussi sur les ondes nationales d’ICI Musique.

Gratuit. Places limitées.
Plongez dans 
La Trame sonore du Québec
 lors d’un bingo musical festif et rassembleur dans le hall de la Grande Bibliothèque. Animé avec complicité par Eugénie Lépine‑Blondeau et Félix B. Desfossés, l’événement sera l’occasion de tester votre mémoire musicale.
Au programme : extraits musicaux cultes, bingo, prix à gagner, entrevues et invités surprises. Une fête conviviale pour célébrer notre patrimoine sonore.

The Ultimate Tri-City Musical Meet-Up
Forget what you know about stiff residencies.
Un Échange: Trading Places: Trueque
is an electrified, cross-border musical adventure that has been shaking up the scenes of Montreal and Vancouver since 2016. Imagine the most badass improv and experimental music communities from Montréal, Vancouver,
and now for the first time this year, the sonic wonderland of Mexico City
deciding to pack their bags, swap cities, and make some beautiful noise together.
The minds behind the magic, the NOW Society, Suoni Per Il Popolo, and a crew of visionary curators in CDMX, are teaming up to create the ultimate playground for adventurous musicians.
It's all about forming deep, new connections, trading ideas through sound, and proving that the language of experimental music is the most fun and present dialect you’ll ever learn.
Un Échange: Trading Places: Trueque
is where communities collide and the future of sonic exchange gets made.
Join us at Suoni to experience this totally radical connection with our wonderful group of residents this year:
From Vancouver:
Anju Singh
(violin, electronics)uses amplified, dense, and/or harsh textures to contrast with tonal minimalist gestures and overlapping layers. Tension created through the use of microtones, extracting textures, and atonal elements provide a space to deconstruct musical gestures and movements into abstracted elements and then are reanimated back into compositions that cannibalize versions of themselves.
Adrian Avendaño
(drums, percussion) is an improvising drummer and percussionist, sound artist, DJ and recordist. His work explores the connection between sound, space, and territory. His approach to drums and percussion is informed by elements of acoustic ecology, deep listening, and the connection to his diasporic Latine heritage.
From Mexico City:
Alejandro Motta
(bass, electronics) is a classically trained double bassist with a focus on contemporary music, sound experimentation, and stage performance. He is the co-founder of the free improvisation ensemble Algo Cruje and has collaborated with various national orchestras, including the OFUNAM (National Autonomous University of Mexico Philharmonic Orchestra). He recently participated in the performance of Memor I.A. as part of the UNAM Composition Workshop and is currently a member of the CEPROMUSIC Ensemble. His work ranges from traditional repertoire to more free-flowing creation, integrating sound and presence.
Aleida Pérez
(violin, electronics) is a violinist and improviser interested in new music and experimental forms such as free improvisation. She currently collaborates with the Liminar ensemble. Her most recent performances include a residency with the Norwegian collective Verdensteatret, the Epiciclos concert as part of the Diferencial series, and La escucha infinita.
From Montreal:
James Nicholas Dumile Goddard
(saxophone, mbira, electronics) is a Ndebele-Canadian sound artist, curator, arts administrator and experimental saxophonist. He currently lives and works in Montréal, QC. His work explores themes related to race, the speculative and power dynamics. He performs solo as skin tone, in the duos NYON & Platitudes and as part of KY band, the Egyptian Cotton Arkestra, and Quinton Barnes Black Noise Ensemble. He's worked in community radio, concert promotion and non-profit administration – all these experiences inform an interest in non-hierarchy within his creative and administrative practices. skin tone was/is always a reactive project – relying heavily as it does on improvisation skin tone is always changing; unable to remain inert in the face of a changed situation. For a long time, it was an outlet to reflect on anti-black police violence – to respond to anti-black police violence. As time went on skin tone became an outlet to explore a wide-range of themes.
Jahsun
(drums, percussion) is a Montreal, Canadian/Caribbean based drummer, futurist & arts event curator. His music brings voice to ancestral memories manifested in imagined futures. Exploring free black expression, the abandon of traditional ‘drummer’ timekeeping roles, continuously seeking new sounds, contrasts, harmony, dissonance, storytelling, deep grooves, free time & authentic cultural exchanges.
Here is the list of Events you can check them all out at during Suoni:
June 16th, Église du Sacré-Coeur-de-Jésus
Copresented with Les Vespérales, No Hay Banda, Now Society, Codes d'accès and CIOC
Fujilllllta
Anju Singh
Florence Delphine-Roux
June 18th
Afrorack
Adrian Avendano/Roxanne Nesbit/Engone Endong
invité.e.s
Casa del Popolo
JAMbient (Lisa E. Harris & Maria Chavez)
Anju Singh, Aleida Perez (2 more local strings tbc)
invité.e.s
La Sala Rossa
June 20th
Ableton for Noise artists workshop with Anju Singh
Resto Sala Rossa 11h-13h
June 20th
BLK D’OR
Constellation 1:
Adrian Avendano-drums
Markus Floats-bass
Fahmid Nibesh-gtr
SkinTone-sax, mbira
Jason Selman- cornet, poetry
Constellation 2:
Anju Singh-violin
Julie Richard-tuba
Aaron Leaney-sax
Ravish Momin-drums
Stella Adjokê-poetry
Constellation 3:
Engone Endong-sound design
Zach Frampton-piano/keys
Cabral Jacobs-sax
Jahsun-drums
Tanya Tawhida Evanson-poetry
Duos: Christelle St-Julien/
Dna
Zibz BlacKurrent/
Zach Frampton
Fred Bazil/
Jahsun
Soulsonic bath:
Sam I Am Montolla
Casa del Popolo
June 21
Anju Singh, Alex Motta, Nausiate, Quivering
An Laurence
Camille R.B.
Ianna Book
Casa del Popolo
June 22 sala
Blacks’ Myths
Karen Ng
Cole Shmidt + Alvaro Rojas
Cabral Jacobs, Engone Endong, Markus Lake,
James Goddard & Jahsun
June 23 Get Free! (our mini marathon/trading places partay!)
All trading places artists!
plus The Ex, Blacks’ Myths, Karen Ng, Cole Schmidt, Alvaro Rojas & Jairus Sharif and locals tbc
The Ex will dj the Casa bar for a full take over of Casa, whoop whoop!!
Casa del Popolo
June 24
Dahl
Jairus Sharif
Adrian Avendaño, Alex Motta, Adriana Camacho & Eli Piña
Casa del Popolo
June 25th
Lucas “Granpa” Abela
Alex Motta & Aleida Perez
invité.e.s
P’tit Ours
June 26th
Zine Launch - On DIY CDMX Venues
Malcolm Goldstein, Nicolas Caloia & Rainer Weins
Alex Motta, Eli Piña, Stefan Christoff & Dario Bernal Villegas
Meredith Bates/Aleida Pérez/Adriana Camacho
Casa del Popolo
June 28th
The Ratchet Orchestra
Bellbird
Dario Bernal Villegas/Alex Motta

Co-presented by
Les Vespérales, codes d'accès,
NOW Society, & The
Canadian International Organ Competition
FUJI||||||||||TA
is a Japan‑based sound artist whose practice explores natural phenomena and experimental instruments to reveal unheard and unknown sounds, with a strong focus on attentive listening and observation.
They are known for a hand‑built pipe organ without a keyboard, played using a manual air pump. Their work has been presented internationally at Rewire Festival (NL), Big Ears Festival (US), Variations Festival (FR), Pioneer Works (US), Bourse de Commerce (FR), Send+Receive (CA) and Tectonics Glasgow (UK). Their albums include
iki
(Hallow Ground),
KŌMORI
(Boomkat Editions) and
NOISEEM
(33‑33).
Anju Singh
is a composer, sound artist, and multiinstrumentalist who experiments with dynamics, texture, and pure sound in her composed and improvised work. As a musician, she is interested in extended and experimental techniques as well as re-application of traditional instruments in new contexts, sometimes leading to the development and build of new self-made instruments based on loose concepts of existing instruments. Her source materials include musical instruments, synthesizers, voice, electronics, custom-made/found objects, samples, and field recordings. Anju has presented her work across Canada and internationally including in the US, Brazil, Mexico, Europe, and Japan. In addition to her sound and music practice in areas of improv, experimental music and sound art, Anju also performs under the moniker The Nausea, and is also a metal drummer and guitarist in various projects. Anju is the Curator and Director of Vancouver Noise Fest, a self-funded and independently-run festival committed to noise music that has run for 11 editions.
Florence-Delphine Roux
is a digital and sound artist originally from Quebec City and based in Montreal. She holds a master's degree from the École Nationale Supérieure des Beaux-Arts de Villa Arson in Nice, France. Her work explores the intersection of art, science, and technology, with a focus on radio. Her creations take the form of listening experiences, immersive sound installations, performances, video art, and radio pieces.
Driven by a sound-based practice, particularly rooted in material gathered from recordings made largely outdoors, Florence-Delphine Roux's work stems from a reflection on the possibility of playing with textures imperceptible to the retina, notably electromagnetic fields, thus contributing to a disruption of reality. With the aim of developing a practice of fiction, the artist also explores the field of radio production, with the ambition of creating a "cinema for the ear." -Frédèric Bonnet
Gradually tinged with radio frequencies, this performance illuminates our surrounding soundscape while making audible the omnipresent but imperceptible frequencies of our environment. Sculptural antennas capture these sometimes distant frequencies, revealing a third space shaped by hidden sounds and communications.

Co-presented with
Criminal Trap.
A confrontational, camp and seductive dramaturge.
Slash Need
have earned a reputation for putting on high-energy theatrical live performances. Heralded as the most talked about touring act in Canada, their commanding style of propulsive techno and metallic EBM serve as the backdrop to an unpredictable, ever-changing, and communal performance piece. Their debut album, SIt & Grin, is a blistering industrial debut, as unapologetic and brash as it is groundbreaking.
Following a viral bout of unplanned, and gratifying, attention from right wing media in 2023 after their lore-making performance at Toronto Pride, the group has developed a cult following. (A widely-circulated video earned 2.3 million views with one comment calling the group ”nasty, filthy perverts”.) Conjuring the essence of cherry red lipstick smudged on the rim of a spilled energy drink, baby powder masquerading as Chanel perfume; pheromones, smoke machines, and crossed wires, Toronto’s Slash Need is an invitation to demand more.
We have released three EPs, two singles and one video album. Our first full length album, “Sit and Grin” came out October 21, 2025. We’re starting off the new year with a three week tour through the EU/UK.
Durex
is a hardcore punk band based in Montreal. They’ve been playing together since 2023. Angry, funny, noisy, high energy, and a little yucky. No smoke break or you’ll miss being yelled at by some freak.
Post-punk rockers
Ancient Greece
hail from the underworld of the Toronto music scene. This is the odyssey of a band stitched together not just by music but by camaraderie and a penchant for the anarchic. Raspy echoes, beating drums, guttural chords, and sharp melodic riffs weave tales of urban decay and what it means to be chewed up, swallowed alive, and come out the other end kicking and screaming.